Voices of London, Songs from the Big Smoke

• “Lynch brings out the real character of the piece in her performance.”

• “Elizabeth Lynch sings the song in lovely speaking tones”

• “Elizabeth Lynch sings Wapping Old Stairs with a lovely sense of character in her voice and a fabulous accompaniment from Gavin Roberts.”

The Rape of Lucretia

• “I shall not beat about the bush. This was the best performance of The Rape of Lucretia I have seen.”

HAYDN HARMONIEMESSE and MOZART REQUIEM

• “The star singer was mezzo Elizabeth Lynch: in the ensembles she blended effortlessly with the others, but her performance throughout gave great pleasure, not least in her communication with conductor and audience – a demonstration of how to do it.”

• “There was drive and vigour – drama indeed! …the whole performance was convincing and the audience left profoundly satisfied.”

The Rape of Lucretia

• “Elizabeth Lynch was a strong Bianca, making far more of the character than I have seen before, without ever pulling focus.”

The Rape of Lucretia

• “…which contrasted well with the warmth and authority of Elizabeth Lynch’s Bianca.”

Francesca di Foix

• “notable performances included Elizabeth as the Page…”
• “…an evening to enjoy and cherish. The future of opera looks safe in the hands of these young singers!”

Francesca di Foix

• “…very fine performances especially from Elizabeth as the page Edmondo who generates much of the onstage energy.”
• “…a comic gem in this inspired production!”

Francesca di Foix, Donizetti

• “From the sublime to the fashion-fabulous”
• “…had the entire audience incoherent with laughter from start to finish”
• “The whole company did Donizetti proud … an extraordinarily broad platform on which to showcase the skills of these stars of the future..”

Francesca di Foix, Donizetti

“Elizabeth who was funny and energetic as the page Edmondo…”